Tuesday, June 17, 2008

Hollywood's last great dancer, Cyd Charisse dead at 86


LOS ANGELES, California (AP) -- Cyd Charisse, the long-legged Texas beauty who danced with the Ballet Russe as a teenager and starred in MGM musicals with Fred Astaire and Gene Kelly, died Tuesday. She was 86.
Cyd Charisse at a gala honoring fashion icon Fred Hayman on May 28, 2007 in Los Angeles, California.

Charisse was admitted to Cedars-Sinai Medical Center on Monday after suffering an apparent heart attack, said her publicist, Gene Schwam.

She appeared in dramatic films, but her fame came from the Technicolor musicals of the 1940s and 1950s.

Classically trained, she could dance anything, from a pas de deux in 1946's "Ziegfeld Follies" to the lowdown Mickey Spillane satire of 1956's "The Band Wagon" (with Astaire).

She also forged a popular song-and-dance partnership on television and in nightclub appearances with her husband, singer Tony Martin.

Her height was 5 feet, 6 inches, but in high heels and full-length stockings, she seemed serenely tall, and she moved with extraordinary grace. Her flawless beauty and jet-black hair contributed to an aura of perfection that Astaire described in his 1959 memoir, "Steps in Time," as "beautiful dynamite."

Charisse arrived at MGM as the studio was establishing itself as the king of musicals. Three producers -- Arthur Freed, Joe Pasternak and Jack Cummings -- headed units that drew from the greatest collection of musical talent. Dancers, singers, directors, choreographers, composers, conductors and a symphony-size orchestra were under contract and available. The contract list also included the screen's two greatest male dancers: Astaire and Kelly.

Astaire, who danced with her in "The Band Wagon" and "Silk Stockings," said of Charisse in a 1983 interview: "She wasn't a tap dancer, she's just beautiful, trained, very strong in whatever we did. When we were dancing, we didn't know what time it was."

She first gained notice as a member of the famed Ballet Russe, and got her start in Hollywood when star David Lichine was hired by Columbia Pictures for a ballet sequence in a 1943 Don Ameche-Janet Blair musical, "Something to Shout About."

Although that film failed to live up to its title, its ballet sequence attracted wide notice, and Charisse (then billed as Lily Norwood) began receiving movie offers.

"I had just done that number with David as a favor to him," she said in "The Two of Us," her 1976 double autobiography with Martin. "Honestly, the idea of working movies had never once entered my head. I was a dancer, not an actress. I had no delusions about myself. I couldn't act -- I had never acted. So how could I be a movie star?"

She overcame her doubts and signed a seven-year contract at MGM. She also got a new name, the exotic "Cyd" instead of her lifelong nickname Sid, to go with her first husband's last name.

The 1952 classic "Singin' in the Rain" marked a breakthrough.

When Freed was dissatisfied with another dancer who had been cast, Charisse inherited the role and danced with Kelly in the "Broadway Melody" number that climaxed the movie. She stunned critics and audiences with her 25-foot Chinese silk scarf that floated in the air with the aid of a wind machine.

Charisse also danced with Kelly in "Brigadoon," "It's Always Fair Weather" and "Invitation to the Dance." She missed what might have been her greatest opportunity: to appear with Kelly in the 1951 Academy Award winner, "An American in Paris." She was pregnant, and Leslie Caron was cast in the role.

In 1996, Charisse recalled her reaction on entering the movies: "Ballet is a closed world and very rigid; MGM was a fairyland. You'd walk down the lot, seeing all these fabulous movies being made with the greatest talent in the world sitting there. It was a dream to walk through that lot."

Her first assignment was a "Ziegfeld Follies" sequence in which she was one of the female dancers "flitting around Astaire as he danced."

Like most young MGM contract players, she was schooled in drama and voice, and diction lessons eliminated her Texas accent. The singing lessons didn't take, however, and the songs in her musicals were dubbed.

She graduated to featured dancer in sequences for such films as "Till the Clouds Roll By," "Fiesta," "On an Island with You" and "Words and Music." She also appeared in such dramatic films as "East Side, West Side," "Tension" and "Mark of the Renegade."

"Silk Stockings" in 1957 marked the end of her dancing career in films, as well as the twilight of the movie musical. With the film business suffering from the onslaught of television, MGM dismantled its great collection of talent. Musicals were too expensive, and foreign audiences had soured on them.

Charisse continued with dramatic films, several of them made in Europe. She and Martin took their musical act to Las Vegas and elsewhere. In 1992 she finally made her Broadway debut, taking over the starring role as the unhappy ballerina in the musicalized "Grand Hotel." The musical had premiered in 1989 with Liliane Montevecchi in the role.

"I've done about everything in show business except to play on Broadway," Charisse said in a 1992 Associated Press interview. "I always hoped that I would one day. It's the World Series of show business. If anybody tells you they're not intimidated, they're lying."

In 1974, Charisse returned to MGM for a TV drama. Gazing over the half-filled commissary at lunchtime, she mused: "You never realize that good things are going to be over sometime. It all seemed so natural then: Clark Gable and Robert Taylor lunching at one table. Lana Turner would be lunching at a table in the corner. Ava Gardner, too.

"I grew up at this studio, and it didn't seem unusual to see all those stars. Nowadays, you'd never find so many names in one commissary. In fact, there aren't that many stars."

Her name was Tula Ellice Finklea when she was born in Amarillo, Texas, on March 8, 1922. From her earliest years she was called Sid, because her older brother couldn't say "sister." She was a sickly girl who started dancing lessons to build up her strength after a bout with polio.

"I was so frail they were afraid to touch me," she recalled in that 1996 interview.

At 14 she auditioned for the head of the famed Ballet Russe, and became part of the corps de ballet and toured the U.S. and Europe. To appear with the nearly all-Russian company, she was first billed as Celia Siderova, than as Maria Istromena.

At one point during the European tour, she met up again with Nico Charisse, a handsome young dancer she had studied with for a time in Los Angeles. They married in Paris in 1939.

The Ballet Russe disbanded after the war broke out, and the newlyweds returned to Hollywood. In 1942, a son, Nicky, was born.

In 1948, the year after she and Nico divorced, Charisse married Martin. Her second son, Tony Jr., was born in 1950.

Here is Gene Kelly & Cyd Charisse - from Singin' in the Rain:

Wednesday, June 11, 2008

All Time High: 'Octopussy' Celebrates 25 Years


Octopussy, the film marketed as James Bond’s all time high, celebrates its 25th anniversary this month. Debuting at London’s Odeon Leicester Square on Monday, 6 June 1983, Roger Moore’s penultimate 007 adventure featured a little bit of everything including the return of a Bond girl, exotic locations in India, Tarzan yells, clown suits and more.

Opening in the US a few days later on the 10th of June, Octopussy eventually proved to be another winner for the Bond series at the box office. With a final worldwide gross of $183.7 million dollars, it took the top spot in the famous ‘battle of the Bonds’ with Sean Connery’s unofficial Never Say Never Again, released later that year.

Tuesday, June 10, 2008

Happy Birthday Judy!


In 1922 singer-actress Judy Garland was born Frances Gumm in Grand Rapids, Minn.
We plan to feature Judy Garland in an upcoming story on this blog. Stay Tuned for more information on this great actress.

Wednesday, June 4, 2008

New Bond Movie Coming!

Sunday, June 1, 2008

Universal Pictures Burns, Historic Sets and Film Vault Lost


We are sad to report that this morning one of Hollywood's largest movie studios starred in a disastrous sequel as a fire ripped through a lot at Universal Studios, destroying a set from "Back to the Future," a King Kong exhibit and a streetscape seen frequently in movies and TV shows.

It was the second fire at the historic site in nearly two decades, leveling facades, hollowing out buildings and creating the kind of catastrophe filmmakers relish re-creating. This time around, thousands of videos chronicling Universal's movie and TV shows were destroyed in the blaze.

But Universal officials said that they were thankful no one was seriously injured at the theme park and that the damaged footage can be replaced.

"We have duplicates of everything," said Ron Meyer, NBC Universal president and chief operating officer. "Nothing is lost forever."

As someone who works with permanent records, I can tell you that you should always have a backup copy off site. Many businesses fail to do this.

The blaze broke out on a sound stage featuring New York brownstone facades around 4:30 a.m. at the 400-acre property, Los Angeles County Fire Chief Michael Freeman said. The fire was contained to the lot but burned for more than 12 hours before the final flames were extinguished. I first saw this in the morning on MSNBC. Watching it live. It was a sad site to see.

The cause of the fire is under investigation. Damage was expected to be in the millions of dollars.

The iconic courthouse square from "Back to the Future" was destroyed, and the famous clock tower that enabled Michael J. Fox's character to travel through time was damaged, fire officials said. Two mock New York and New England streets used both for movie-making and as tourist displays were a total loss, Los Angeles County Fire Inspector Darryl Jacobs said.

An exhibit housing a mechanically animated King Kong that bellows at visitors on a tram also was destroyed. We visited this area of Universal a few months ago while touring the studios.

All three sites were either damaged or destroyed during another fire at Universal Studios in November 1990. That fire caused $25 million in damage and was started by a security guard who was sentenced to four years in prison after pleading guilty to arson.

Hundreds of visitors who had waited for hours outside the park gates were turned away after officials decided not to open the area. On a typical weekend day, about 25,000 people visit Universal Studios. NBC Universal said in a statement that the park would reopen Monday morning.

Universal CityWalk, a shopping promenade, was also closed. The MTV Movie Awards, broadcasting live Sunday night from the adjacent Gibson Amphitheater, went on as planned.

Mike Herrick of San Diego watched the fire on television from his hotel Sunday afternoon before deciding to return to Universal Studios for a second day with his wife.

"By gosh, we're going to go and get whatever we can out of it," Herrick said. On Saturday, Herrick had ridden the tram that winds around the studio lot, snapping photos of the King Kong attraction, among other sights.

The fire broke out along New York Street, where firefighting helicopters swept in for drops and cranes dumped water on the flames. A thick column of smoke rose thousands of feet into the air and could be seen for miles.

"It looked like a disaster film," said Los Angeles City Councilman Tom LaBonge.

Several firefighters suffered minor injuries. One firefighter and a Los Angeles County sheriff's deputy were slightly hurt when a pressurized cylinder exploded inside the building housing the videos.

The streetscape that burned recently served as a backdrop in such films as "Bruce Almighty" and television shows including "Monk," "Crossing Jordan" and "House," said NBC Universal spokeswoman Cindy Gardner.

Meyer estimated there were 40,000 to 50,000 videos and film reels in a vault that burned but said duplicates were stored in a different location. Firefighters managed to recover hundreds of titles.

The videos included every film that Universal has produced and footage from television series including "Miami Vice" and "I Love Lucy."

Universal Studios, nine miles north of downtown Los Angeles, has thrill rides and a back lot where movies and television shows are filmed, including scenes from "War of the Worlds," "When Harry Met Sally" and "Scrubs."

In one of its curious and vaguely morbid capacities, YouTube now functions as a de facto memorial to Universal Studios' lost rides and buildings. Shaky tourist videos from the theme park, that would otherwise be of little interest, have been transformed into (still shaky) historical artifacts.

Since some or most of the areas burned in the fire are unlikely to be rebuilt exactly as they were before (and when you see the cheesy but beloved old King Kong ride below, you'll see why), these videos are the closest we're likely to come to riding them again.



Here's some cell phone footage of the Hill Valley Courthouse from "Back to the Future," now firmly part of the past. The building also appeared in "To Kill a Mockingbird," "War of the Worlds," and "Bye Bye Birdie," among others.


The 'New York Street' area was used, as the tour guide in the (very shaky) video says, for "Spider Man 2," the "Transformers," "Ghost Whisperer," "Crossing Jordan" and many more.